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Craig Wallwork - March 2006 |
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SCARE
What the doctors don’t tell you
is, when the lights go out, you’ll feel like a garden rake is being
dragged across your intestines. They won’t tell you about the thoughts you have too, and how you’ll see
yourself telling that special person in your life not to make plans for a
holiday this year.
Sure, they’ll tell you all the
medical facts, and textbook encouragement that comes with being a general
practitioner. “Curable” is a term they’ll drop in from time to time.
“Positive thinking” will be another. They’ll ask if you know what
Hodgkin’s is, and you’ll nod your head, still lost in a sentence already
passed. Commit to memory a human body
stripped of skin, its torso exposing muscle structure and internal organs;
medical certificates in gold plated frames; inoculation reminders for flu,
diphtheria and typhoid. You need to remember anything that gives the
illusion of reassurance. Anything to help you believe the words leaving
their mouth will help in some way. But they won’t. Nothing will.
Between a blood pressure monitor and otoscope sits a family portrait
captured in black and white that looks more like a GAP advertisement.
Your doctor will be dressed in what looks to be a cream v-neck sweater and
canvas khaki trousers, his wife in a cream dress, his kids, miniature
versions of the same outfits. Everyone is smiling, and everyone has
great teeth. They’ll all be a million miles from you at this point. The doctor will break momentarily
from his speech about white cell counts and some other shit you’ll have no
idea about, to reiterate the point of being “Positive”. Behind a thousand-yard stare,
you’ll hear none of this. In truth, you’re not really there: you’re
in a car driving along the coast: you’re making love beside a babbling
brook: you’re having your picture taken with your kids. You’re
dressed in a cream v-neck sweater and khaki trousers. Before you know it, everything
slows down. Life, I mean. Choosing hymns and your three favourite songs of all time is much harder than you first expected. The
songs you pick will need to reflect the type of person you are…
Sorry, the person you were. They’ll need to be poignant, but
not too depressing, inspiring, but not too clichéd. You’ll want a
heart-rending melody that will provoke tears, but not too many.
These songs will have to remind everyone attending of you, and no one
else. This means no movie soundtracks. Your family and friends
shouldn’t be thinking of a famous actor and actress on a pottery wheel
while you lie only ten feet away pumped full of Formaldehyde and cotton
wadding. Close to your home there’s a big
old church made of limestone. It stands on a large hill overlooking the
neighbourhood, like the biggest guilt trip there is. Sometimes you’ll be
sure you can see its silhouette through the bedroom curtains on a full
moon: its spire and cross forming an emaciated Jesus effigy judging you on
your nocturnal activities. In light of certain events,
you’ll find yourself envious of that church. You’ll ask the vicar about the
church’s history, and he’ll tell you, while chomping on a blueberry
muffin, a man named Herbert J Connelly built it in the nineteenth
century. Each sand-coloured rock was shipped over from Ireland by boat,
and then carried by horse to the hill. It took four years to build and
has stood for well over two hundred years. It has seen two world wars,
four recessions, fifty seven prime ministers, seventy three thousand
sunrises, and about ten and a half thousand Christenings. The vicar wipes his mouth only to
tell you, “If that’s not enough, the church will see more than you and I
will ever know”. Outside you’ll brush your hand
over one of the rough limestone blocks and think, Lucky bastard. In this room there will be
nothing more than a freestanding glass trolley with small black caster
wheels and weighing machine. The weighing machine will be the kind
with the two silver dorsal fins that need to be placed evenly apart to
attain the correct weight of someone. On top of the glass trolley
will be a kidney shaped bowel, some medium size white boxes, and swab
packets – everything will be numbered. You’ll sit and wait.
Outside you’ll hear a Tannoy
system tell a Dr Griffith to report to Paediatrics. Inside the beat of
your heart gathers a rate of knots. There’s nothing on the walls but a
long strip of laminated paper divided in increments of five inches all the
way to eight foot, and a watercolour painting of a sunset that never
really existed. Next to this painting is a door. But not the door you
entered in. It’ll be a different door. The room will have that
disinfected smell that’ll remind you blood has been spilled in there on
many occasions. This will not reassure you, or slow down your heart. In his hands, hands so clean you
know they’ve been places you will never even see, is a brown office
folder. He’ll ask your name, age and how long it’s been since first
feeling the lump. Three questions you’ll need to expect.
Hodgkin’s predominately affects adults (men in particular) between the
ages of twenty to forty. If you’re twenty-five with an inflamed
lymph node situated in your neck, and a recent drop in weight, he’ll put
you in the bracket, high risk. He’ll ask you if you know about
Hodgkin’s, and you’ll tell him through a broken voice it’s a curable
cancer. To which he’ll finish, “Only if caught early enough”. You’ll be told to go down the
hall towards A & E, and then left at neurology. Follow neurology until
you get to E.N.T. At E.N.T you’ll have to go right to cardiology, then
turn right again toward maternity, but don’t go to maternity, go left up
to radiology, it’s there you’ll be given instructions to change your
attire. You’ll feel like a foreign
exchange student on the first day of school, wandering around open
corridors with a piece of paper to hand to the receptionist. Nobody will
help you because they’re dealing with really sick people, people
who are really dying. You’re walking. In everyone else’s eyes
this will make you, low risk. Half way through the final verse,
a staccato of ear-piercing bangs will bring you back to that plate and its
cross. While sipping coffee you wonder
who will read your eulogy. It will have to be a friend, your
closest, and definitely not the priest. You’ll remember other
funerals, other eulogies and who said them. You remember a funny
anecdote of a long forgotten uncle. Then you’ll spend the rest of
the time in that waiting room wondering if anyone will remember you doing
something funny. He’ll then take the X-rays over
to a wall-mounted white box with a light inside. A flick of a switch
and what looks like two pale clouds surrounded by darker clouds surrounded
by smaller greyer clouds fill your chest. In this picture, it’ll
seem like there’s a storm brewing in your upper torso. Thirty seconds will seem like an
hour in situations such as these. You’ll become more aware of the
temperature in the room, in particular the heat bleeding through the
window causing your armpits to itch with sweat. You’ll notice every
time the consultant shifts his weight from one foot to the other, a
scratch of chin follows it. This you’ll interpret to mean something
bad. Because of this, you shift over slightly on the massage bed to
make more room for your suspicion. He’ll pay too much attention to
the small cloud close to the centre of your chest. His tiny eyes
trying to focus on something there, but can’t quite seem to decipher what
it is. That’ll be when he turns to face you. And for the
second time that day you’ll hold your breath.
Craig Wallwork is 33 and lives in Manchester, UK. During the day he
works as a corporate editor (roughly translated: he edits training videos
that you will never see, and if you do, you'll pay no attention to).
At night he lives in a house with walls so thin he has to wait for the
neighbours to leave before he can have sex with his fiancée. He writes
shorts stories and has completed two novels to date. All of which he wrote
with foam earplugs wedged in his ears.
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